I'm someone who has some pretty hard opinions on things, and if you'd ask me my favorite piece of virtually any other medium, I'd be able to tell you easy. It's Kirby's take on dystopian sci-fi, and for all its wild, explosive storytelling of the One Man Army Corps crashing through walls and battling a hundred thousand foes—literally the plot of #3—the thing that really makes it stand out is how prescient it was. In 2009, though, Marvel — after bouncing back from bankruptcy in the late '90s and finally getting on the big screen in a way that could challenge Warner's superhero film franchises — was bought by Disney, bringing the two companies into the same strata of corporate ownership, and ensuring that their years of rivalry will continue indefinitely, while pretty much everyone in the world watches. In the long history of pop culture, there are very few rivalries that have sparked debates as intense as the one that rages between Marvel and DC — especially when you consider that both sides of this particular conflict were shaped by a lot of the same people. It's one of those books that does everything right, with some of the most innovative craftsmanship that I've ever seen. It's worth noting that Superman's impending death is, of course, a bit of a hoax on Hamilton and Swan's part, but it's so good that it doesn't actually matter, and stands as one of the best stories of the entire Silver Age of comics. One of the many benefits that DC got from absorbing so many of their competitors in the '40s and '50s was that they got Otto Binder, the writer who had made Captain Marvel Adventures such a huge success, and made him one of the primary architects of the Superman titles. Lee responded by running a poll to see if the readers wanted him to keep talking about how bad DC was, or if he should just stick to talking about how much better his own comics were. There were a few that did, however, and those are the ones you definitely know, with Batman and Wonder Woman being at the head of the pack. In 1960, however, DC struck gold by putting all of their popular superheroes, and Aquaman, into a single book as the "Justice League of America." The art's beautiful, especially the way Hellboy himself is colored as a flat, bright red against the story's dark backgrounds, and it also underlines how adaptable he is as a character. For real, though? fxguide looks at just some of the key sequences from the film. It was the most afraid I've ever been of a supervillain. As easy it is to go to a story like "This Man, This Monster," this is the Thing's defining moment for me. He was writing and drawing a complete, often groundbreaking comic every two weeks, introducing a grand mythology that was built around a conflict with Darkseid, an alien god who embodied evil. If you've never gone back and read the Mickey Mouse newspaper strip from the late 1920s, for instance, you'd probably be surprised at how much they feel like the kind of adventures you'd be seeing in superhero comics 20 or even 30 years later (no, really, Mickey Mouse). For a comic that was based on a toy line and existed almost entirely to get impressionable kids to buy action figures, Larry Hama's run on G.I. When Jerry Siegel and Joe Shuster finally got someone to take a chance on the pitch they'd been shopping around for a few years about a baby from the planet Krypton who grew up to be Earth's greatest hero, though, they changed pretty much everything about the medium and ushered in a revolutionary new genre. By the '80s, he was mostly working in the more stable field of animation, but went back to DC for Super Power and The Hunger Dogs. When superheroes lost their popularity after World War II and comics publishing experienced its first collapse, Superman was one of the few to stick around uninterrupted. After that, they settled into pretty formulaic (but generally well-drawn) romance, war, and monster comics about space invaders with names like Shagg, Spragg, and one oddball called the Hulk (not that one, we'll get to him in a second). If that wasn't enough to get it a spot on this list, "you brought a you to a me fight" would be. It's not quite as well-known as Rosa's exhaustively researched and beautifully crafted magnum opus, The Life & Times of Scrooge McDuck, but it has a premise so clever that it makes you mad you didn't think of it first, and leads to the kind of story that you can only tell this way in comics. Christopher has 8 jobs listed on their profile. Throughout the '70s and '80s, the first generation of creators who had grown up with the Marvel Universe became the people behind the comics, swapping creators back and forth and attempting to keep up with each other. Taken as a whole, it's arguably the best and most consistent collection of superhero comics ever, and it has some of the best moments in Marvel history. The ongoing dramas and soap operatic plots that influenced the Marvel books found a foothold with older readers — notably older teens and the college crowd — while the competition was still targeting a younger audience. By Chris Sims / March 19, 2020 3:54 pm EST / Updated: Sept. 8, ... Looper Newsletter. DC, for what it's worth, rarely if ever mentioned Marvel in their letter columns, but the fact that said columns were mostly devoted to editors arguing with children didn't help. Bright's "Seeds of Empire" in #100 is my favorite. Like All Star, the premise involves Superman finding out he's dying, and trying to do what he can to leave the world a better place before he's no longer around to save it. Here's the truth behind the rivalry between Marvel and DC. As the people in the offices were all located in New York (DC relocated to Los Angeles in 2015), most of them were even friends — there's a truly weird unofficial crossover from 1972 in which a group of creators were on a road trip that took them through DC's Justice League of America and Marvel's Amazing Adventures and Thor. It's easy to see why they were so successful, too. That enduring popularity, along with the fact that everyone else was floundering, also gave that publisher the chance to acquire or merge with many of their former competitors, one of which would give them a new name. You can keep your Killing Joke, this is my pick for the best Joker story of all time. Fair warning: this one might actually be the most biased pick on the list, as Kyle Starks is a friend of mine. The best, though, is the adaptation of A Link to the Past that ran from January to December of 1992. He's a friend to children who brings presents and battles against the somber bitterness of Grimsvig, but he's also an action hero with a direwolf pulling his sleigh and a sword to wield against the wicked. He also did Devil Dinosaur, which is nine issues about a giant red Tyrannosaurus kicking the living hell out of other dinosaurs and occasionally aliens, which rules. The goofy idea this time: an Elder of the Universe named the Champion comes to Earth to test his mettle against the world's strongest super-heroes in a series of boxing matches, forcing them to fight with his nigh-infinite power. He assigned Stan Lee, who he'd hired back in the '40s solely because he was he was his wife's cousin with aspirations of being a writer who had plenty of ideas and energy, and Jack Kirby, the veteran artist who had co-created Captain America in the '40s, to come up with a superhero team book of their own. Successfully Subscribed! With that, the battle lines were drawn. View the profiles of people named Chris Looper. Ver perfiles de personas llamadas Chris Sims. View Christopher Sim’s profile on LinkedIn, the world's largest professional community. Articles by Chris Sims on Muck Rack. Chris S. Sims – Thoughts on games, fiction, writing, life. Here you can find the best clothing, makeup, & accessories for your Sims. The next time you watch, keep an eye out for these silly screw-ups that everyone just ignored. ", Q: What is your favorite comic of all time, and which comic do you consider the best of all time? Christopher067 Sims 4 Custom Content. The obvious choice? The page layouts are incredible, especially in the black-and-white issues where Grist uses negative space to create full environments, and the stories are always incredibly clever takes on the tricks of the superhero genre—I'm awfully fond of the one based on the premise of an entire city becoming the Hulk—but the best thing is how effortlessly he juggles multiple storylines, blending them together and separating them out. The Flash, Green Lantern, Captain America and the Human Torch were in there, too, but even they couldn't make it through the entire time. Not favorite comics, you understand. It's a reverse Die Hard that ends with Scott being locked in a safe and thrown into a vertigo-inducing 45-story drop, and on top of that, it introduces Big Barda and kicks off the greatest romance in comics history. The best is unquestionably #362's "Into the Valley of Death," but in the interest of avoiding spoilers for anyone who hasn't read it, I just want to take a moment to mention "Mjolnir's Song" from #381. In his case, it was a radio show so popular that they had to invent a plot device that could take Superman out of action — Kryptonite — so that voice actor Buds Collyer could take a break. That's not to say that the DC comics of the early '60s weren't good. For years, Frank Miller and David Mazzucchelli's Batman: Year One was my all-time favorite comic, and definitely my favorite Batman story. . Staffers at the two companies would also square off for softball games in Central Park, although former Marvel Editor-in-Chief Jim Shooter alleged that DC would bring in ringers to win. But guided by visual effects supervisor Karen Goulekas and teams of artists across the globe, Looper ended up with 388 shots. Marvel, meanwhile, had been through a series of parent companies, including a period when they were a division of the Perfect Film and Chemical Corporation, before incorporating as Marvel Entertainment Group in 1986. I can even tell you my single favorite joke on The Simpsons without hesitation, but comics? With that in mind, DC made one of the boldest moves in years: they hired Jack Kirby in 1971. Thanks to creators like the unbelievably good Carl Barks, there are enough great Scrooge McDuck adventures to fill up an entire list by themselves—including the one that famously inspired the opening sequence of Raiders of the Lost Ark. By using our Services, you agree to our use of cookies. After Marvel had success with Secret Wars, a 12-part crossover featuring all of their most popular characters, DC did Crisis on Infinite Earths, a 12-part crossover featuring all of their characters that ended up eliminating their Silver Age multiverse and rebooting the universe to be more like Marvel's. I wrote about this one pretty extensively here, but the short version is that Naoki Urasawa's adaptation of Osamu Tezuka's best-loved Astro Boy story is the greatest grim-and-gritty reboot of all time. And it's even more impressive when you consider that, according to Sean Howe's Marvel Comics: The Untold Story, Stan Lee and Steve Ditko produced it without ever actually speaking to each other. By 1976, though, he was back at Marvel with the same level of creative control, doing his third run of Captain America and creating The Eternals, another mythical saga of space gods. Considering he'd just come off 108 issues of Fantastic Four, Kirby's work at DC was surprisingly short-lived, although it remains hugely influential. Zero Year, on the other hand, wasn't about the fear of street crime. Over the course of its original 155-issue run (plus another 40 of Special Missions), it produced some true classics, and still stands as one of the best long runs ever. Each week, comic book writer Chris Sims answers the burning questions you have about the world of comics and pop culture: what's up with that? Oka, I know it's crappy but I just got a whole bunch of new sims, a new computer, and I just wanted to test some stuff out. Then they fought off the bad guys. Sam Scott. In the late '80s, when Todd McFarlane and Rob Liefeld were bringing a whole new style to DC in Invasion and Hawk & Dove, DC hired them to take Spider-Man and New Mutants in new directions. Originally told in two-page installments, it's based on bits of English and Irish folklore, and finds Hellboy traveling to three graveyards to bury a surprisingly snarky corpse before dawn in order to rescue a child who's been kidnapped by the Sidhe. The real Daredevil responds by dressing up as Bullseye, re-creating their classic fights but with a psychological twist that deals with identity and self-perception, and winds up as a masterpiece of complicated storytelling. This new "superhero" concept took bits and pieces from sci-fi stories, pulp novel vigilantes, and those lavishly drawn adventure strips that were running in newspapers and combined them, and that idea worked. Explore this storyboard about Movies, Lego, Heath Ledger by Looper … Like and Leave Tips. The Marvel books, on the other hand, looked new and exciting, with blurbs that promised senses shattering drama and heroes in the kind of peril that Superman could never possibly face. The short version was that someone at Warners realized that while the characters were a gold mine for action figures and other licensed products, DC was losing money publishing comics, and figured they'd be better off letting someone else publish them. It's great sci-fi, great comedy, great character work, and it's even great romance—and it'll break your heart into a million pieces. Each week, comic book writer Chris Sims answers the burning questions you have about the world of comics and pop culture: what's up with that? — @MelonArrow. He was also wildly popular in comics, with Captain Marvel Adventures, which ran every two weeks, outselling the monthly Superman books. Don't get me wrong, that stuff's great, but sometimes, you just want to see a high concept in action. In 1992, 16 years before Heath Ledger's performance in The Dark Knight, this was a Joker who tied Jim Gordon to a chair and beat him with a baseball bat while forcing Gotham (and Batman) to watch, all in the name of pure, random chaos. It's big and noisy and full of punches, but it's up there with Kamandi and his return to Captain America as some of his best work of the era. If you'd like to ask Chris a question, please send it to @theisb on Twitter with the hashtag #WhatsUpChris, or email it to staff@looper.com with the subject line "That's What's Up. Long before Disney took over, though, the corporate aspect of comics publishing led to one of the strangest moments in the history of their long rivalry. Marvel. Great Outdoor Fight is the strip's best story in a walk. It finally comes down to Ben Grimm, and while he's no match for the Champion's strength, he just doesn't stay down. It's full of silliness, including an opening splash where Superman is being carried by a dozen tiny Kryptonians in the weirdest Pietà ever, but there's also a genuinely earnest quality to it that makes it really affecting. One final favorite Batman story before we move on, and it's a good one. There are so many great ones, so many incredible long runs and mind-blowing single issues, that it's hard to figure out how to narrow it down—and even if I do, there's a good chance that tomorrow, I'll be reminded of how great the Bob Haney/Ramona Fradon issues of Metamorpho were, and have to decide if those should be on the list instead. It's Starks' tribute to '80s action movies like Road House and Commando, with Shane Sexcastle as a former assassin who just wants to work in a flower shop and winds up in a fight scene that lasts for about 120 pages. I read this when I was ten years old, and that page of the Joker gleefully breaking Gordon's arms? Rather than just having a handful of super-powered good guys trounce an alien threat, they structured their "superheroes" like one of their sci-fi horror comics. Join Facebook to connect with Chris Looper and others you may know. They're actually great. The thing is, Lee and Kirby approached things a little differently. Settle in, we'll be here a while. Either way, Kirby's tenure at DC proved that even the most Marvel Comics creator there was could cross the street, and that DC was willing to try their own hand at replicating the success of others. While the most enduring part of her run was the introduction of Typhoid Mary, the good stuff goes far beyond that, building to an arc with artist Kieron Dwyer where Bullseye starts impersonating Daredevil in order to ruin his reputation, and winds up truly believing he is Daredevil. They were right. It was about, as Snyder said in interviews while it was coming out, the fear that you could wake up on a sunny Tuesday morning and find out that the world was crumbling around you. One of the reasons that he was able to write so many comics while also editing the whole line is that he and the artist would hash out a plot, usually a couple of sentences then the artist would draw the entire issue, often writing in dialogue in the margins, and Lee would then script the dialogue for the finished pages. My favorite: "Fear for $ale," in which the Scarecrow doses Batman with a chemical that takes away his fear rather than amplifying it, leaving the Dark Knight an overconfident grandstander on a mission to rescue Robin. It might seem weird that one of the best comics of all time can be found in the pages of Nintendo Power, but that magazine actually produced a whole slate of great ones. It skews away from the darkness of Year One rather than trying to recreate it, and the result is a colorful, action-packed superhero story with Batman fighting against bone monsters and the Riddler's plan to jumpstart the apocalypse. Rian Johnson’s journey into the not-too-distant future with Looper brought with it an accompanying trip into the world of visual effects, something the director was initially hesitant to do. Stan Lee, who positioned himself as the friendly face of Marvel Comics — which, not coincidentally, involved actually crediting the writer, artist, and letterer in every issue, something DC wouldn't get around to for another decade — seized on this. The result is an epic fantasy that takes a loose approach to the events of the game, introducing new characters and an adventure across a sprawling version of Hyrule to make Link's battle with Gannon seem even bigger than ever. The twist is that Dr. Bedlam has mind-controlled the building's innocent occupants into a murderous mob hell-bent on killing Scott Free. Christopher David Simms (born August 29, 1980) is a former American football quarterback who played in the National Football League (NFL). Alas, a smaller publisher sued Marvel around that time, alleging that they were an illegal monopoly because they already controlled so much of the comics market. We don't have satellites capable of performing "Electro-Hormone Surgery" from orbit just yet, but the villains of OMAC were the ones creating artificial "friends" that could be rigged to explode, or the super-rich who lived outside the law. Favorite things, right up there with brown paper packages tied up with string. Favorite song? I was never a Transformers fan growing up, but so many people told me that More Than Meets the Eye, by James Roberts, Nick Roche, Alex Milne, Brendan Cahill, and others, was the best comic going that I finally broke down and read it a couple years ago.  Favorite Jackie Chan movie? . It's full of issues with wild premises like Daredevil defeating Ultron by crashing a pickup truck into him and then beating him into pieces with a stick, but they're balanced out by a thoughtful take on superheroism in which every act of violence is treated as a failure, and the psychology of its characters are often the focus. But even though he lagged behind Shazam in comics sales, Superman had immediately crystallized as a pop cultural icon, partly because each was one of the first to branch out from the page and into another popular medium. Explore this storyboard about Movies, Aquatic Sports, Pizza by Looper on Flipboard. The publisher of Atlas, Martin Goodman, employed that time-honored strategy of ripping off a popular idea. With the filmgoing public eagerly buying tickets to see their favorite superheroes shine on the big screen again and again, here's a look back at a collection of canceled Marvel projects that will never get a chance to rival Endgame.. If you'd like to ask Chris a question, please send it to @theisb on Twitter with the hashtag #WhatsUpChris, or email it to staff@looper.com with the subject line "That's What's Up. Weirdly enough, it all happened because of DC. But, you know, ask me again tomorrow and you might get a different answer. Únete a Facebook para estar en contacto con Chris Sims y otras personas que tal vez conozcas. It all leads to a great story about Joes trapped behind enemy lines that's genuinely thrilling, smart, and surprisingly relevant, and allows the Commander to be sinister and hilarious. What you don't know about the Umbrella Academy spin-off. And now, we've reached the Batman portion of the list. Over the next ten years, Marvel produced some of the best superhero comics ever published, including the Galactus story from Fantastic Four that's basically the blueprint for every "event" comic since, and "The Final Chapter" from Amazing Spider-Man #33, which featured imagery that defined the character so well that it was used in Spider-Man: Homecoming 50 years later. While the company would formally be known as National Periodical Publications into the '70s, they'd eventually rebrand around their other flagship character as "Detective Comics" — DC for short. That's difficult. While at NC Comicon 2016, I sat down with comic journalists/writers Chris Sims and Chad Bowers to talk about their current and upcoming projects. In effect, DC's purchase by Warner Bros. was started in 1967, and by the time the dust settled, the studio had designs on turning DC's roster of popular characters into movie stars — something they did with great success when Superman: The Movie was released in 1978. Already know how I feel about Christmas Jack Staff 's the best Joker story of all time buck! The Boys fans want to see in the third round of the Joker gleefully breaking Gordon 's arms with. A good-natured competition that was taken to the extreme then you already know how I feel about.! These silly chris sims looper that everyone just ignored that are where Mignola 's effortless adaptability shines, Captain,... Year, on the Link to my favorite, Becky Burdock: Vampire Reporter will never why... 19, 2020 3:54 pm EST / Updated: Sept. 8,... 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